Home Up Feedback Contents Search

Volume 3.01

Volume 1.01 ] Volume 1.02 ] Volume 2.01 ] Volume 2.02 ] Volume 2.03 ] Volume 2.04 ] Volume 2.05 ] Volume 2.06 ] Volume 2.07 ] Volume 2.08 ] Volume 2.09 ] Volume 2.10 ] [ Volume 3.01 ] Volume 3.02 ] Volume 3.03 ] Volume 3.04 ] Volume 3.05 ] Volume 3.06 ] Volume 3.07 ] Volume 3.08 ]

 

 

 

JOIN US ON FACEBOOK

 

Join 4Shared Now!

 

Nominate InkSpotter
for Writer's Digest
101 Best Sites

InkSpotter News

Information and Support for Creative Writers

 Published by InkSpotter Writing & Editing

Volume 3.01                January 2005

 

Advertise your writing-related product or service
in the next issue of InkSpotter News.

 

In This Issue

Editorial

Bookmarks

Feature Article

Paying Markets

Pen & Ink

Contests

Literary Lapse

Bragging Rights

Book Review

Online Resources

Letters to the Editor

 

 

 

Subscribe

 

Editorial

 

It's All Over But the Editorial

One year is behind us; another lies ahead. For some, this is a time of rampant celebration. For others, a time for quiet contemplation. Either way, none of us can fail to be affected.

  

The start of this particular New Year is tempered somewhat by the recent disaster in south Asia. Images of death and destruction mix with happier messages of holiday joy. We are reminded, yet again, how quickly life can change.

But I'm not here to preach about dealing with adversity or realizing that life will go on. There's been enough of that in the past two years, at least from my perspective. Now, I'm looking forward to better things. After all, the New Year is also about fresh starts. 

Setting and achieving goals hits the top of the list. I don't believe in resolutions, but there's nothing so enticing as a good set of goals. 

That being said, here are my goals for 2005:

Write at least one chapter per month of my dusty historical novel

Start my first blog and keep daily entries

Send one query letter per week to a major magazine

A short list, but one I feel is equally challenging and achievable. We'll see how well I did this time next year.

Betty Dobson, Publisher/Editor

 

Back to Top 

 

Bookmarks

 

Each issue, I use this space to share my personal writing-related successes from the past month. With any luck, I'll never run out of material.

 

epiphanies.jpg (30179 bytes)

The poems "Faded Rose Tattoo," "Thin Wires" and "Born in Black" are nominated for inclusion in Epiphanies and Other Absurdities (scheduled for January 2005 release).
New at Parkview News:
"Making authentic Hank Snow sounds 'a life fulfillment'."

Satire of the Inanities is released and available for purchase. The humour anthology includes three of my poems--"Elvis Clones," "The Passionate Mama's Boy," and "Fishing!"--as well as my personal essay "Amazon Queen."
The Daily News quoted me in the article "Posties Walk Out" about the current strike action by the Union of Postal Communications Employees, a component of the Public Service Alliance of Canada. (Not writing related, but a great chance to practice my media relations skills.)

Bylines 2005 Writer's Desk Calendar receives more positive reviews, this time from Moira Richards of Absolute Write and M.E. Wood of WordBeats

If you like what you read, please come back here to order the book. (Great treat for yourself or the writer you know!)

 

Back to Top 

 

Feature Article  

Cliff Hangers
by William Alan Rieser


Collected Essays

 

Every fiction story, regardless of its length, describes a problem to be overcome via rising and falling development. It makes no difference the genre, for in order to interest the reader, material must be portrayed in a manner that intrigues. Without those tidbits of mysterious unknown, the author cannot hope to sustain the tale. It is akin to the establishment of a lingering hook in the first paragraph. The reader always thinks, Why should I read on if there is nothing here of substance for me to speculate about. The absence of giveaways is the key, for the more an author denies the audience, the more they will substitute their own imaginations for what is missing. This, of course, is predicated upon the fact that the author has constructed a perfectly believable scenario that the reader can easily identify. And when the exposition finally does resolve the conflict with an explanation, readers can either exult in their guessing right or be amazed by their wrong assessment. This is one of the key elements to writing good fiction.

If the hook be thought crucial to literary ignition, how much more so the cliff hanger? Every great novel I have read incorporates at least one. The best mysteries tend to dole out multiples to thoroughly plant the mesmerized in a maze of tangled possibilities. Science fiction and fantasy are relatively easy mediums for dealing with unknowns because their premises are terra incognita. I don't think it's possible to write a horror story or murder scenario without the shock sequence of the unanticipated event. And the more illogical the action, the greater the hanging, especially when the following explanatory narrative reveals some or all of the truth.

What, then, constitutes the technique? Of course, every case is different, but I can set up a hypothetical situation: Here are 15 useful suggestions, though they are not all that can be done by a long shot.

"Redhook knew that his enemy, Gaston, was hiding in the cellar, probably armed, and definitely crazy enough to act like a cornered rat. There was no way out, but Redhook was not about to define his shape in the glare of a flashlight."

Already the tension is building. The question is, what is the most effective way to pull that string taut without snapping it?

Direct Intervention - Redhook reached into his back pocket for his night vision goggles to give himself the decisive advantage. Every light was turned off in the house. He carefully oiled the cellar door hinges to reduce any chance of his entrance being overheard. Wielding his knife, he silently crept to the handle and turned the knob.

Indirect Targeting - Gaston was prepared for the worst. He reckoned his best chance was to hide beneath the staircase and trip his foe during descent. Then he would leap on Redhook's neck and choke the life out of him.

Misdirection - Neither man was aware that Sheila, the cause of their enmity, was presently flying off to Florida with Charles after deploying a deadly gas canister at the bottom of the staircase. If either man stepped on it, both would die instantly.

Unobtrusive Observation - Stanley, the next door neighbour, stared enthralled at the monitor that related what his secreted video camera was presenting him.

Relevant Flashback - Redhook recalled that day when he discovered his best friend's betrayal, seeing them leave the motel together as he witnessed them sneaking furtively to their cars. His blood rose to the boiling point against them both.

Well Intentioned Dupe - Mary, at Sheila's suggestion, did as she was bidden by her friend and called Redhook to let him know that Gaston was there, waiting for him.

Bumbling Fool - Just as Redhook was about to open the cellar door, Sherman, the idiot ex-boyfriend, stumbled through the half open front door and shouted Sheila's name loud enough to warrant a complaint for disturbing the peace.

Innocent Bystander - The UPS man was required to deliver the package to the front door, to at least knock and let people know that a delivery being made. But when he got to Sheila's house, the door was already open. He peered inside, knocked, identified himself, and saw Redhook brandishing a knife.

Ironic Development - Betty, after hiring the private detective and discovering that Charles was having an affair with Sheila, decided not to wait a moment longer. She raced to Sheila's house, slammed the car door, and burst inside for the confrontation.

Unintentional Humour - Barry had never hit a home run before. He would never know the full ramifications of this one, for the ball carried over the fence, bounced off a passing truck, and broke the kitchen window of Sheila's house, simultaneously beaning Redhook into unconsciousness.

Just In Time Miscellany - Incredibly, across the street, poor disabled Mrs. Houten's alarm system was wired to the Police, Fire Department and Emergency Rescue departments. At that very moment, having been triggered by her dropped and unreachable cigarette, the alarm was triggered. In seconds, Redhook heard enough sirens coming down the street that he thought Patton's Army had arrived.

Unexplained Event - Charles was not there at the airport. As she waited by the counter, Sheila heard her name being paged to go to the Luggage Counter. A large package was there. It looked like an old-fashioned hatbox. When she opened it, she noticed the aluminium foil surrounding a circular object. Parting the foils, Charles's head peered out and caused her to pass into unconsciousness.

Friendly Help - Alex understood Redhook's rage, for they had saved each other's lives countless times in Nam. He was determined to assist his friend from making a total fool of himself, for he knew Sheila's reputation. When he witnessed Redhook enter the house, he knew it was time for him to act.

Coincidence - It couldn't have been planned any better, but the precise moment Redhook whipped out his knife with the intention of gutting Gaston, the Homecoming parade turned down that street and loudly passed Sheila's front door, with horn's blaring.

Tragic Confluence - Redhook didn't have to murder Gaston. It was in the cards without his knowing. The young pilot had no idea what to do when the altimeter read zero. Suddenly, the plane nose-dived out of control. The last thing he saw were the neat rows of new shingles on Sheila's roof.

Cliff hangers are definitely part of your literary skill set, whether it is a short story, novel, screenplay or a derivative form. Every time you feel your story lacks pizzazz, or someone points out that passages seem dull, this is usually the answer. So keep them in mind the next time your heroine, Thusnelda, gets her dress caught on the railroad tracks just as the 8:40 train from Bumbleton is coming round the mountain.

#

ABOUT THE AUTHOR: William Alan Rieser, B.A., M.A., has had careers in teaching, conducting, composing, performing music, umpiring, electronics, supervising and finally writing in his retirement. He is now a professional editor and has published 16 novels and hundreds of shorts and articles.

 

Back to Top 

 

Paying Markets

Writers tend to focus on the printed word while overlooking the possibilities available through broadcast radio. Check out the following markets from England, Canada, and the United States.

 

BBC writersroomThe broadcaster in the United Kingdom accepts completed film, TV and radio scripts. Detailed guidelines for radio include a breakdown of available transmission slots--Woman's Hour, Comedy Narrative, Drama, Entertainment, The Saturday Play, and others. The site also includes guidelines for formatting your scripts (radio or otherwise).

Reading Period: Open

 

Address

New Writing Co-ordinator
BBC writersroom
1 Mortimer Street
London W1T 3JA

 

Email: new.writing@bbc.co.uk

Length: 1,900-2,000 words (14 minutes on air)

Rights: Not stated

PaysNot stated

 

CBC Radio - CBC's Sunday Showcase and Monday Playbill are the only programs currently accepting unsolicited scripts. The broadcaster recommends writers contact Script Editor Dave Carley (see details at right) prior to submitting a proposal.

Reading Period: Open

 

Script Editor: Dave Carley


Address

Sunday Showcase
Radio Arts and Entertainment
CBC Box 500 Station A
Toronto ON M5W 1E6


Email: sunshowcase@cbc.ca

Running Time: 52 minutes (one 8.5" x 14" page of dialogue equals approximately one minute of air time)

Rights: Not stated

PaysNot stated

 

NPR - National Public Radio looks for program ideas, commentaries/essays, and story suggestions, as well as articulate guests for existing programs. They also provide detailed Submission Guidelines for Radio Reporters and Producers (Adobe Acrobat Reader required). If you're not sure to whom you should make your pitch, contact the Assistant Managing Editor (see details at right).

Reading Period: Open

 

Assistant Managing Editor: Peggy Girshman


Address

News Administration Desk

635 Massachusetts Ave., NW
Washington DC 20001-3753

 

Email: pgirshman@npr.org

Length: Varies

Rights: Not states

Pays$55/minutes, minimum $300 (kill fee negotiable)

  

FNASR - First North American Serial Rights.

Before submitting your work to any publication, be sure to read their writers' guidelines.

 

Want links to paying Canadian markets?

 

Back to Top

 

Pen & Ink 

William Rieser (a.k.a. Penumbra) joins yours truly (a.k.a. InkSpotter) to form the team "Pen & Ink." Each month, we'll feature poetry and prose from The Writers' Association's growing list of anthologies.

 

 

The following pieces originally appeared in The Writers' Association's recent release, Soaring. The anthology is currently available from Lulu Books and will soon be available through Amazon.com.

zoom_82603.jpg (35641 bytes)

Reflection of Narcissus

by Rebecca Adkins

 

Words whipped around

with the bluster of wind

and she was the I of the storm.

Narcissistic grin in her soul,

she stirred up strife among us.

“Look what was said about you.”

She flung the words between us

till the furies brewed hurricane force

while she fed on the dregs of angst.

Growing strong in the rage of anger,

she threw caution to the winds

and made a strategic mistake.

Caught in the lies of her making,

she shrivelled to nothingness.

No longer effective,

her words died out

leaving calm after the siege.

Yet mirrored in quiet waters,

she sees a hero there.

Follow Me Down

by Rebecca Adkins

 

Bourbon laced thought
And whiskey perception
Dark smoky den
Where you make connection
Pulsating rhythm
A song of suggestion
Body that writhes
With sexual intention
Follow me down
Way down
Low

I'll whisper to you
Words of seduction
Sugar spiced words
Of my good intention
Give you no hint
Of my mind's corruption
A hidden prelude
To your destruction
Follow me down
Way down
Low

 

Forever Audrey

by Edward Motketsan

Will grabbed his TV dinner from the oven and peeled back the tinfoil. Steam rose as he carried the food with a hot-pad into the living room. He set it on the sofa and picked up the remote control, waiting for the odd-coloured meat to cool off. He began to flip through the channels when he came upon an old, classic movie. Setting the remote down, he put the dinner on his lap. Taking a small fork-full of meatloaf, or whatever it was, he blew across it and put it into his mouth. "One of these days I must learn to cook," he said, before swallowing the chunk.

Will finished his dinner while he watched Breakfast at Tiffany's, starring one of his favourite actresses, Audrey Hepburn. He took a sip of beer from his glass to wash down the last bite of meatloaf and polished off the brownie. At least the dessert was good, but then it would be difficult to screw up the brownie.

"Oh, come on!" he yelled out at the TV, which began to flicker. "Not now. I like this movie."

He stood up, walked up to the TV and hit the side of the console. Still, it flickered between channels. He placed his beer on top of the TV and adjusted the antennas. The screen came back to its normal state.

"There we go, that's more like-you son-of-a . . ." he said as the picture started to scroll upwards. "What's wrong with this piece of garbage?"

Will moved the TV out from against the wall, careful not to spill the beer resting on top. He went to the closet and retrieved his toolbox, carrying it over to the old, dilapidated set. After popping it open, he used a screwdriver to unscrew the back panel. He searched inside for the habitually loose wires and jiggled them back and forth. "Phhhssssssss, phhhhssssssss," the set responded.

"I hate you, you piece of electronic junk!" yelled Will, as if he were actually conversing with it. He was adjusting the signal potentiometer when Audrey's voice returned. "Ah, there we go."

He stood up and went back to the couch, not bothering to place the back cover on the TV, knowing it would act up again. Sitting down and watching the movie, he frowned at the picture. "I've seen this movie a thousand times and I don't ever remember that scene."

"Well, what are you staring at?" Audrey asked in her innocent voice.

This is a very odd scene, thought Will. No wonder they edited it out.

"It is not very polite to not answer a person when they ask a question,"
said Audrey.

"I wonder who she's talking to?" he said aloud. "Why is she just staring into the camera? Billy Wilder really was stretching the creative mindset on this scene."

"I'm talking to you. Why do you stare at me like that?" Audrey asked.

"Because TV is crap today and the only movies worth watching are the classics," Will replied with a smile. "And besides, you're the best actress I have ever seen." I'm losing it. Now, I'm talking to my television, he thought to himself. I need to get out more.

"Thank you," Audrey replied.

Will lowered his eyebrows and got up to get another beer from the kitchen.

"Where are you going?"

"I was just getting another beer," he laughed.

"I could use a drink myself. And a cigarette-it's been a long time since I had a cigarette. Do you smoke?"

He closed the refrigerator door slowly and turned around. A look of puzzlement crossed his face as he was gripped by alarm. He moved slowly toward the living room and peeked around the corner, stared at the TV. Audrey stared back at him.
"Well, what's wrong, darling?"

He swallowed the lump in his throat and managed to ask, "Are you talking to me?"

"Well of course, darling! Do you see anyone else here?"

Will stumbled back into the kitchen and ran the cold tap in the kitchen sink. He pushed his head into the cold, running water and splashed it on his face. "This cannot be happening to me. I'm too young to be going crazy. It must have been that damn dinner-the meatloaf looked odd. I knew I shouldn't have eaten it." He grabbed the dishtowel and dried his face and hair. There we go. I feel okay now.

He went back into the living room and sat down on the sofa.

"I thought you were getting a drink?"

"This is impossible! You are not talking to me!" Will said as he jumped from the sofa.

"But of course I am, darling. I am talking to you, and you are talking with me." Audrey smiled the innocent smile that only she was capable of.

"But how?" Will moved closer to the TV and sat on the floor in front of it. "How is that possible?"

"Energy is a funny thing, not even Einstein had it right, although he was closer than most. We are made up of energy and it lives on forever in the universe. There are certain moments when energy occupies time and space. Sometimes, that energy can pair up with other energy-like yours. What is your name, darling?"

"My name?"

"Yes, or do you prefer darling?" Audrey said with a devious smile.

"My name is Will.

"Well hello, Will. I'm Audrey. It is so nice to meet you."

"This is unbelievable. I'm talking to Audrey Hepburn! Or is this some marketing ploy to get people to watch more TV? Tell me something about yourself that nobody would know."

"If I do that, would you know I was telling you the truth?" Audrey said with a smile.

"Okay, you have me there. But I just . . ."

"Why don't you ask me the more important questions? After all, Will, I cannot stay very long."

"Why not? How long can you stay?"

"I'm not sure exactly, but remember how I was telling you about time and space and energy?"

"Yes?"

"They are small bits of energy and they don't occupy it sequentially. It's such a dynamic universe we live in."

"What did you mean the important questions?"

"Is there life after death, is there a God, or what is the most important thing to do while we are living?" Audrey's innocent smile and dark eyes were even more engulfing than Will had ever seen in any movie.

"Is there life after death?" he asked.

"But of course, darling. Aren't I proof of that?"

"I guess so. What is God like?"

"God is the fabric that holds all the energy together. It's not only the space but also the time in which all energy can call its home. Whoever said that God was everywhere was quite right. He is everywhere and every time."

"What is the most important thing for me to do while I'm living?" he asked.

"Nobody can tell you that, Will. I will tell you, however, that doing things for yourself is energy wasted. The more you do for others and the more your energy becomes intertwined with theirs will make for a much happier time later on. That is the best part of our world-the relationships that we start, tend to, and nurture our whole lives. And even after our lives, we still build new relationships."

"Is that what you are doing now, building new relationships?"

"But of course, darling," Audrey said with a huge grin. "Well, I think my time is just about up."

"No wait! Not yet. Will I see you again?" he asked, kneeling in front of his TV.

"You never know when or where two energies are going to meet up. But the probability that we will meet again in your lifetime is pretty slim. But, in your afterlife, I can guarantee that we will meet again and again, somewhere, sometime."

"I would like that," he smiled. "You have always been my favourite."

The picture began to get fuzzy. He jumped up and hit the sides of the set.

"It's time for me to go. We shall meet again, darling. Oh, and Will-"

"Yes?"

"I'm not sad any more. I'm very happy. Bye."

"No wait!"

But the picture had turned all to snow. Will slammed his hands against the sides of the set . . . but nothing. She was gone. Audrey was gone.

Will opened his eyes and looked around. He saw the inside of the back of the TV set. He was lying on the floor behind it with the screwdriver in his hand. Something dripped off the back and hit the carpet. He looked at the top and saw that his beer had spilled over and run into the box. The inside was smouldering and appeared to have shorted out.

I must have gotten a shock.

He stood up slowly and felt somewhat unstable. Walking down the hallway and into the bathroom, he splashed cold water on his face again and then dried it with the hand towel. Did it really happen? Or was he just knocked unconscious when the beer spilled into the TV and he was electrocuted? It was a pretty bizarre dream, one that he would never forget.

A few months later, Will was walking through a bookstore and noticed Audrey Hepburn's photograph on a book cover. It was a new release, penned by her son. Will picked it up and smiled. He purchased the book and brought it home. Sitting in the living room, he took it out. The TV was still broken and he hadn't bothered to get it repaired. He started to read the biography.

"My mother had a secret," he said. "And that secret was that she was very sad."

Will just stared at the words on the page. Was it a coincidence? Did that night really happen? He remembered asking Audrey to tell him something that nobody would know. Well, no one except maybe her son. He recalled how their conversation ended when Audrey told him that she wasn't sad any more, that she was very happy now.

Will grinned and looked up at the TV. "I'm happy for you, Audrey. You so deserve to be happy."

He immersed himself in the book.

 

Back to Top

 

Contests 

We're taking an international approach yet again when it comes to radio-related contests. The CBC Literary Awards don't have a radio play category, but broadcasting the winning entries on CBC Radio qualifies this contest for inclusion in this category. 

 

CBC Literary Awards - Annual writing contest sponsored by CBC Radio, The Canada Council for the Arts, and Air Canada's enRoute magazine. 

 

Deadline: November 15
Length: Short story (2000-2500 words); Travel literature (2000-2500 words); Poetry (1500-2500 words)

Entry Fee: $20 per entry

Rights: First rights
Prize: (In each category) First prize $6,000; Second prize $4,000; First and Second prize winners published in enRoute; winning entries broadcast on CBC Radio.

International Playwriting Competition - Biennial contest run by BBC World Service Drama and the British Council

 

Deadline: April 30, 2005

Eligibility: "Open to anyone not normally resident in the UK."
Running Time: 60 minutes (50-75 pages)

Entry Fee: None

Rights: First rights
Prize: £2500 sterling; a trip to London to see your play being recorded (Two categories: English as a first language and English as a second language)

10-Minute Radio Play Contest - Sponsored by Write Till You Puke: The Drinking & Writing Festival, June 11, 2005, Chicago, Illinois.

 

Reading Period: Starting November 1, 2004 ("Short-listed plays will be posted on the website in May 2005")

Theme: Drinking & writing
Running Time: 10 minutes

Entry Fee: $12 for first entry; $7 per additional entry

Rights: First rights; no simultaneous submissions
Prize: "The top 3 winners will win cash prizes as well as watch a live performance of their plays the evening of the festival."

What's it all worth? Check out The Universal Currency Converter.

 

Back to Top

 

Literary Lapse

 

Literary Lapse is a prompt-based mailing list. Members receive weekly writing prompts and are encouraged to share their work with the rest of the list and give each other feedback.

Once a month, I select my favourite story, essay or poem for publication and pay the winner $5 (US funds).

 

The Prompt

Write about a memorable Christmas, either fictional or real.

The Winner

Congratulations to Sherry Malone for her short story "The Stars."

The Stars
by Sherry Malone

Darcy's dishwater blonde bangs hung in front of her eyes, while her thin fingers rotated the coffee mug. "I hate Christmas."

"I know, Darcy. I know it's hard." I brushed her ordinarily well-kept hair from her eyes. Pain-filled eyes. Christmas was here, and Darcy and Josh couldn't afford to buy presents for their three young children.

"Josh wouldn't let me go to any of the charity..."

"Shhh...I know Darcy. But he's as upset as you are, honey."

"He says there's other people that need it a whole lot more than we do. And I know he's right; we will have a few things under the tree." She smiled weakly.

"That's the spirit. Why don't you come over tomorrow and help me make cookies and fudge? You and Josh are still planning to come to my Christmas Eve party, aren't you?"

"Wouldn't miss it. I'd better go pick up the kids. They get out early today."

Sitting with a cup of coffee in hand, I remembered how Christmas was when my children were small. Marcus and I would search for a few special gifts for each of them. Then we would go nuts at all of the various dollar stores. We bought a lot of things, many of which we knew would not last past Christmas day. But the stars in our children's eyes and their laughter, when they saw all those presents surrounding the Christmas tree, made it all worthwhile.

My heart ached for Darcy and Josh. The local economy seemed to get increasingly worse throughout the year. Josh was barely making enough money to keep food on the table and pay utilities. Heating bills were supposed to rise this winter. I really didn't know what they were going to do. Josh was a proud man. He worked hard everyday. I could see his sadness grow daily.

"Kitty?"

"Marcus, you startled me."

"What's up?"

I told him my dark thoughts. He started putting his coat back on. "Where are you going?" I asked.

"We're going shopping, aren't we? We didn't spend a lot of money on the kids this year. They're grown and buy most of what they want themselves. And Christmas has been pretty dull these last few years."

"But, what about Josh? He would never accept our help?"

"No, but he will Santa's. We'll have the kids sneak them over there during the party. I still have the key to their house, remember."

Shopping was fun. Just like old times. Our party was fun, too. A wink from my daughter Kelsey told me that she and her three brothers had safely planted the presents under our neighbours' tree. I couldn't wait for Darcy and Josh to see that Santa had stopped at their house while they were out.

Finally the party was over. Marcus and I told Darcy we would walk them home because we wanted to get a little of the night's crisp fresh air. We stopped and talked for a few minutes on their walk before saying good night and turned as if to leave. But as the door closed we watched through their large picture window.

I saw Darcy's hand fly to her mouth. Josh's mouth dropped open. And the children's squeals and laughter could be heard all the way down the block. And then I saw. I saw from all the way across the room and out the window the stars, the stars in the children's eyes.

 

Back to Top

Bragging Rights

 

This is the space where subscribers get to do a little bragging about their own writing successes. Don't be shy. We want to hear from you.

 

LONG STORY SHORT Writing Site Honours Writer and Poet Linda D. Hamilton's "First Snow."

Little Rock, AR -- The board of editors at Long Story Short has named Linda D. Hamilton's story "First Snow" Story of the Month for February. The issue will be available for viewing on February 7, 2005 at Long Story Short. The story was conceived when the author responded to a prompt posted on InkSpotter's very own Literary Lapse.

 

My latest article, "Raising Money Savvy Kids," will appear online in Garden and Hearth, January 2005.

Penny Leisch

Hi Betty,

I just wanted to let you know my novel Saving Emma will be released on January 1. Saving Emma is a suspense/romance novel, and will be available from Whiskey Creek Press in both e-book and print formats.

Cheryl Wright

I can't remember whether I passed it on or not, but Mysterious Ways, the first book of a series of inspirational novels with a western flair, is now shipping from River Oak Publishing. The story of a con man who decides to hide in the guise of a traveling preacher only to be expected to perform in that role is a story full of fun and faith. Following close on its heels is Trails of the Dime Novels which is a story of a naive young man traveling the west writing the delicious little tomes that were so popular back in the late 1800s. This book is from Echelon Press.

Terry Burns

Want to share your latest writing successes?

 

Back to Top

 

Book Review 

 

The Frugal Book Promoter: How to do What Your Publisher Won't 

by Carolyn Howard-Johnson
ISBN: 1-932993-10-X

Published 2004 by Star Publish


Reviewed by Betty Dobson

hojo_frugal.jpg (51468 bytes)

 

I read The Frugal Book Promoter cover to cover for the sake of this review, but I'll be going back piece by piece to refresh my memory as the need arises. That's a testament to the usefulness of the information contained within.

This book is full of fabulous ideas for self promotion. Some I've done, some I plan to do--and many never occurred to me before. This will be my guidebook as I tackle my writing goals for 2005.

There's too much in this book to list everything, but here are a few highlights from the Table of Contents:

Build a Media Kit
Build Credentials for Your Kit
Use the Web
Your Personal Mailing List
Blurbs and Other Praise
Get Book Reviews
Get Media Interviews
Library Sales
Book Signings or Readings

I found the chapter on Amazon's online tools especially interesting. There's more to Amazon than book sales. Writers have an opportunity to become a real presence on the site by building lists and writing reviews, to name just two.

Start the New Year right. Get a copy of this book, study the content, and apply the lessons learned.

Pencil Point Rating

(out of five)

 

Back to Top

Online Resources 

If you've never tackled radio markets before, consider using these resources to prepare yourself for the work ahead. Hey, why not? They're all free!

 

Landing the Perfect Pitch: Six Guerilla Media Relations Tips - Developed in Canada by CBC Radio host Tod Maffin, this free e-book walks you through the process of developing a successful media pitch. Adobe Acrobat Reader required.

mp3DirectCut - Voice editing software for MP3 files. Edit directly to MP3 format without having to convert to other formats. 

The Radio Drama List - A discussion list for writers and producers. Welcomes both newbies and pros. To subscribe, send the message "SUBSCRIBE RADIODRAMA" to radiodrama-request@lofcom.com.

 

Back to Top

 

Letters to the Editor

 

This is your chance to provide feedback on the newsletter. Tell us what you did and didn't like. Make suggestions for future issues. 

We want to hear from you.

 

InkSpotter News

235 subscribers

in

Australia
Canada

Finland

France

India

South Africa

United Kingdom

United States

Betty,

I so enjoyed your reminiscing about the snowed-in family Christmas. I love snow (a rarity around here), I love Christmas, and I love the idea of family gathered together, so you had all my heartstrings zinging.

To you, and to all your readers, my wishes for a wonderful holiday season, whichever holiday(s) you celebrate.

Mary E. Gray

 

I just want to say how much I enjoyed [the December] issue. It is one of the few e-zines that I make a point of reading.

I had just read Pen's "On Being a Poet" and I was going to rave about it on here so others would have a look at it and then I scrolled a bit further down and found [Michael Weir's] story "Sunset" and my poem "In Pursuit of Imagination."

I haven't read "The Santa Conspiracy" yet but I'm sure that is good also. I will come back and read that tonight.

Looking forward to the next issue,
Adam Wieland

  

What did you think of this month's issue?

 

Back to Top

 

        

Send questions or comments about this Web site.
Copyright © 2003-2010
InkSpotter Publishing
Finding the Right Words
Last modified:
03 Feb 2010

Hit Counter visitors since December 6, 2006