Home Up Feedback Contents Search

Volume 3.02

Volume 1.01 ] Volume 1.02 ] Volume 2.01 ] Volume 2.02 ] Volume 2.03 ] Volume 2.04 ] Volume 2.05 ] Volume 2.06 ] Volume 2.07 ] Volume 2.08 ] Volume 2.09 ] Volume 2.10 ] Volume 3.01 ] [ Volume 3.02 ] Volume 3.03 ] Volume 3.04 ] Volume 3.05 ] Volume 3.06 ] Volume 3.07 ] Volume 3.08 ]

 

 

 

JOIN US ON FACEBOOK

 

Join 4Shared Now!

 

Nominate InkSpotter
for Writer's Digest
101 Best Sites

InkSpotter News

Information and Support for Creative Writers

 Published by InkSpotter Writing & Editing

Volume 3.02                February 2005

 

Advertise your writing-related product or service
in the next issue of InkSpotter News.

 

In This Issue

Editorial

Bookmarks

Feature Article

Paying Markets

Pen & Ink

Contests

Literary Lapse

Bragging Rights

Book Review

Online Resources

Letters to the Editor

 

 

 

Subscribe

 

Editorial

 

Love is in the Rare

Oh, what a difference a year makes. Last February, I was still flush with newfound love and sharing my joy with anyone foolish enough to listen. Today, I'm alone but more productive than ever. Guess that's what you'd call a win-win scenario.

  

Not that I'm bitter.

Let's just call it one of life's harsh but vital lessons. Not all loves are meant to last, and not all men are worth hanging onto. Writing, on the other hand, is worth every ounce of sweat and tears poured into the effort. Men may--will--come and go, but writing will be with me forever.

Someone new will come along, when I'm not looking, and sweep me into a different set of relationship mistakes. All grist for the writing mill--tender love poems and five-hanky romances will spill onto the page at every turn. For now, though, I'll content myself with every he-gets-his-in-the-end story that crosses my mind.

This month's lesson? Take whatever life throws your way and turn it into writing. After all, lemonade is just so refreshing.

Betty Dobson, Publisher/Editor

 

Back to Top 

 

Bookmarks

 

Each issue, I use this space to share my personal writing-related successes from the past month. With any luck, I'll never run out of material.

 

The poem "Restoration Piece" was accepted for publication in The Book Lover's Haven. New at Canadian Culture:
"William B. Hamilton's At the Crossroads"
"Good Catch: A Review of Mark Kurlansky's Cod."
"Let It Snow? Try to Stop It!"
"The Best of Canadian Culture."

Epiphanies and Other Absurdities is released and available for purchase. The anthology includes my poems "Surfer Joe," "Peep Hole," "Gagetown Reflexes," "Faded Rose Tattoo," "Thin Wires" and "Born in Black."

Joined the Women's ECommerce Association, International as a Charter Elite member. InkSpotter website chosen as their Site of the Month for February.

The debut of my first blog: InkSpotting, a new venue for exploring adventures in writing--from finding the right words to scraping out a living.

New at Parkview News:
"Poteri says children inspired his return to Christmas lights."
The short story "Gramps" won first prize in the latest Eros & Rust Contest and appeared in Eros & Rust Vol. 2 No. 4.
Look for my response to the Question of the Month--"What is one thing you can do this holiday season to honor your writer self?"--in Write What You Know #24 (January 2005).

New at Writing the Bottom Line:

"Good Luck and Good Management"

Joined the Women's ECommerce Association, International as a Charter Elite member. InkSpotter website chosen as their Site of the Month for February.

Quoted in the January issue of Xchange E-newsletter (identified only as "betty") in response to an Xchange Poll question about how business owners perceive their prospects for 2005.

 

Back to Top 

 

Feature Article  

Confessions of a Writer
by William Alan Rieser

 

AN INKSPOTTER EXCLUSIVE


Collected Essays

 

Damn! I’m sitting here at the computer with all the themes in my head and none of them are working. Everything I put on the page, virtually all the ones I think are clever or unique, she hates. She is the love of my life, my inspiration and editor, my wife, Sandra. She is also uncompromising, exceptionally well read and intelligent. Nothing escapes her. Unfortunately, she often does not know how to tell me what is wrong, only that it stinks. Since I’m generally too egotistical and stubborn to accept advice from professionals, I have to look deep within myself to analyze my writing faults.

The toughest challenge initially, even though I knew what “kill your darlings” meant, to eliminate your favourite expressions, was to realize that readers do not want to be reminded of my problems because they all have their own. If I really want to write about an atrocious situation, for example, I have to remove myself from the equation. Eliminating ego altogether, so that the reader can step into the shoes of the characters and see it through their eyes, was my first big step towards becoming a decent writer.

Readers do not want to hear my complaints. They are sick and tired of their unhappiness. The question always becomes, how do I make them sympathize with or hate a character without letting them know it’s me steering them in that direction. It’s a type of manipulation, actually, but very hard to accomplish and remain consistent. It is also one of the biggest reasons why revision is necessary. You cannot let them get the slightest glimpse of being drawn into identifying the author in the story.

Finally, I finish a chapter to my novel after mowing the weeds and she tells me, “This doesn’t work. That can be phrased better. This whole paragraph has to go. I don’t like these words. You can do better than this and that. This is totally illogical and doesn’t make sense. And that sentence sucks.” We haven’t even reached correcting punctuation and sentence structure yet. Each point she raises must be analyzed carefully, because she has an instinctive flair for knowing something well expressed. I revise and revise, chop things to pieces and rephrase, seeking better terms. I remember the words of a creative writing teacher from high school. “If you can’t be original and use unique combinations of words, you're wasting everyone’s time. If it’s been said before, don’t repeat it.”

It’s the same with poetry. I always take my time thinking of a  worthy theme, then muse for however long, even days, until new word combinations come to me, phrases I know are uncommon. Once I get a few of those, I write them down and start developing it, specifically looking for fine, artistic touches guaranteed to get attention. Then I speak it aloud or have Sandra do it for me. Poetry is an oral art originally and I believe in that impact.

Once I have a decent or potential strophe, rhymed or not, I think of ways to increase the tension or beauty with succeeding verses, always making certain the message is constant and does not stray. Sometimes it takes days. Sometimes, the entire message just flows, one word after another without a single revision needed.

After editing my works for a few years, I gained more experience editing those of others. I’m to the point now where my mistakes are rare, except for the typos caused by bad vision. Occasionally, my eidetic memory fakes me out, having learned or misinterpreted something incorrectly years ago. For the most part, technical editing makes my writing a great deal easier now than it was when I began. Editing for content always is the more laborious activity. There always seems to be a best way to phrase anything.

What are some of the big nevers? Never repeat a word on a page unless it’s absolutely necessary. Never write anything that does not move toward the conclusion of your theme. Never assume you know what you are saying without research or direct experience. Never bore the reader with trivialities. Never be satisfied that your work is perfect, for there are always higher levels of perfection. Never drag something out that can be concise unless you have a very good reason for doing so. Of course, there are hundreds more of these, most of which every author needs to identify personally.

Writing is work and takes time and energy. Thinking can actually make you sweat and lose weight, just by sitting there. Common stumbling blocks are the names of titles and characters, specific terms needed to clarify an image, employing original combinations of terms, and beginnings and endings.

For names, I always rely on Tolkien’s philosophy. Once the theme is riveted in place, every name and title must reflect upon it unmistakably. When he spoke of evil forces, the names were hard sounding with g’s and k’s, like Morgoth, Grishnakh and balrogs. The good elves were gentle soft sounds, like Galadriel and Elrond.  It works for me.

As for specific terms, if one doesn’t exist that satisfies, author’s have the license to coin new words. There’s nothing wrong with that if the sound of it is appealing and suggestive. Why use the common expression “hot as a furnace” when you can combine thermal and oven to make “therven” or “venmal?” It works for fantasies.

Beginnings? The sooner you sink the hook, the quicker you grab the reader and force them to want to read on. Endings? I find it best not to give the reader what they expect. If they can predict it easily, you’ve lost their attention. If they are startled, they will remember both you and the story, especially if your last sentence pounds the message home with a hammer.

I don’t let the sad state of today’s publishing business get to me. When I write, it’s first for my satisfaction, then Sandra’s, then the public. When I’m gone, it will be the public’s for eternity. Do I let screenplays influence me? No! They have taken a huge chunk of the reading public and converted them to visual art connoisseurs. Screenplays cannot duplicate narrative, just scenery and facial expressions. No screenplay can succeed without first being based upon a good tale. Good tales rely on storytellers, which is what I now am. I’ll stick to what I do best. Will stories go away? I doubt it. The medium can change, but not the need for imagination and insight. Is poetry dead? The publishers would like you to think so because they no longer have what it takes to market it. The truth is, poetry satisfies a basic human need for beauty. So long as that exists, so will this elegant art.

#

ABOUT THE AUTHOR: William Alan Rieser, B.A., M.A., has had careers in teaching, conducting, composing, performing music, umpiring, electronics, supervising and finally writing in his retirement. He is now a professional editor and has published 16 novels and hundreds of shorts and articles.

 

Back to Top 

 

Paying Markets

No matter what, I can't ignore that February is here and Valentine's Day is part of the equation. In deference to the unavoidable, our markets this month run the gamut from traditional romance to erotica and far-out fantasy.

 

Wicked Velvet - Publishes erotic romance for women in serial form, one chapter per month. You must be a member to submit.

 

Length: 40,000 to 80,000 words (divided into chapters of 4000-7000 words)

Rights: All internet publishing rights in perpetuity

PaysNot stated, but pays 50% of fee per chapter and remaining 50% upon novel completion; pays 20% royalty on e-book sales when novel completed and archived; negotiates fee for hard copy book if produced

Reading Period: Open

 

Email: lagatta@comcast.net

 

Vintage Romance Publishing - As the name suggests, looking for old-fashioned romance like you'd see in classic black and white movies.

 

Length: 35,000 to 75,000 words (also 10,000- to 25,000-word novellas)

RightsNot stated

PaysRoyalty based, no advance; two electronic and two print copies for promotional purposes

Reading Period: Open

 

Email: submissions@vrpublishing.com (Query First)

 

Romance and Beyond Magazine - Publishes fantasy, science fiction, paranormal, and other speculative fiction that involves a romantic relationship between the hero and heroine.

 

Length: Up to 10,000 words

RightsOne-time rights for six months (and unpublished six months prior)

Pays50 cents per word + two contributor's copies

Reading Period: Currently closed

 

Address

Mary Tarver, Editor

Briada Press, Inc. 

PMB 9 

3527 Ambassador Caffery Parkway

Lafayette LA 70503-5130

 

Email: RBeyond@aol.com (Queries ONLY)

  

FNASR - First North American Serial Rights.

Before submitting your work to any publication, be sure to read their writers' guidelines.

 

Want links to paying Canadian markets?

 

Back to Top

 

Pen & Ink 

William Rieser (a.k.a. Penumbra) joins yours truly (a.k.a. InkSpotter) to form the team "Pen & Ink." Each month, we'll feature poetry and prose from The Writers' Association's growing list of anthologies.

 

 

Michael Spearing's poems "Maere" and "The Peace of the Brass Monkey" originally appeared in The Writers' Association's latest release, Epiphanies and Other Absurdities. Kevin Toal's "Migration Eclipse" was published in Soaring.

Maere

by Michael Spearing

 

In the fell night, daemons take flight
and gambol all over the Earth,
and twist our dreams into nightmare screams,
for this is their calling since birth.
By dawn's bright light, daemons take flight
to hide from the sun's warming rays,
and lurk in stark coldness and dark,
and so it has been all their days.
Twixt Earth and Hell daemons all dwell,
minding the Father of Lies
to bring despair, worry and care,
and cover our dreams with pale flies.

 

 

zoom_82603.jpg (35641 bytes)

The Peace of the Brass Monkey

by Michael Spearing

The night we went fishin' was cloud-awful drear, down in the Bay of Dread;
Ma was complainin' and pullin' her hair and Pa ne're heard what she said.
Ivan, my brother, got drunk at a bar, the one where fishermen go,
and Sue, my sister, went off to fetch him from the Pub of the Laughin' Crow.

I chopped a squid with a dull rusty knife, makin' a bucket of chum,
and Ivan and Sue staggered aboard and went lookin' around for Mum.
They found her below, still badgerin' Pa, and Pa was pluggin' his ears
when some how or other we slipped our moorings and glided out past the piers.

Adrift in the bay, the weather blew rough, the Brass Monkey floundered on,
her weather decks shone with salt-silted spray and the East heralded the dawn.
The chop grew white and the heads scuttled off and Ivan fell fast asleep
as our boat flowed into the Bay of Dread where the water's murky and deep.

The smell of the sea was acid and blood and the waves came o'er the deck,
and we narrowly missed a fast-runnin' ship, the Cargo Queen o' Quebec.
With his hair all soppin' and stuck to his face, Pa fell over the rail
and into the bay beneath the waves, and a storm commenced to gale.

Now Suzie was cryin' "Pa overboard!" and that brought Ma on the run.
Through ear-splittin' thunder I heard her shoutin', "Avast! See what ya done!"
Well, Sue's a big lass, buxom and strong, and stared fearsome hard at her mum;
then quick like the lightnin' that slashed all around us she grabbed the bucket of chum

And heaved that pale as hard as a shot midst the wind and the spray and the rain.
But Ma, bein' thin and slick as a skate, ducked as a new wave again
swept the decks of the Brass Monkey clean. And now there were three in the drink
and the boat adrift in the bay in a storm, flounderin', and all set to sink.

Ivan lurched up the ladder from below, donnin' his slicker and hat
and mumblin' aloud that he wanted to know where his mummy was at.
"Gone down below," was my cautious reply, "gone to visit the locker."
Then Ivan came down with heaves and upchuckin', and tripped o'er the docker.

Legs akimbo and arms a millin' into the froth and spume he went
and vanished 'neath the whitecaps quicker than a pillar of Newport Cement.
Later that day a great white happened by, eyes rollin' black in its head,
and - oh! - what peace of soul I knew then, adrift on the Bay of Dread.

 

Migration Eclipse

by Kevin Toal

Were it not for hunger, both physical and mental, I would have remained underground for another year. Unfortunately, working in unison, my appetites forced me to surface far earlier than expected.

The food reprocessor had given me trouble after the first month. Acting on its own private whims the machine offered a selection of barely edible meals, as though daring me to consume the offerings.

"The next time the world ends," I vowed, "I'll splurge and get the 'Supreme Chef' model." This became my pre-dinner prayer. Luckily, I had enough tinned food to offer some respite from the sludgy messes emanating from the reprocessor. However, being unable to replenish my stock, these eventually ran out.

As to my mental state, it lusted for information. When the radio and television signals stopped it was like losing a limb. I had not realized how much a part of me they were. The endless stream of news had been taken for granted. Now, with only my DVD's and CD's for entertainment, I found myself longing to hear something about the world I'd abandoned.

With my stomach complaining and my brain crazily imagining all manner of scenarios, I stood at the bunker's armoured door. My gaunt, pale face stared back at me, reflected in the black screen of a dormant security monitor.

Even though I already knew the outcome out of my actions, I switched the monitor on and saw only static. The above-ground security cameras, rendered useless many months ago by a would-be invader, served as a depressing reminder of my isolation. Without further hesitation, I withdrew my pistol and keyed the door combination. Then, stepping back a few paces so that I'd remain in shadows, I watched as the door swung outwards.

I waited a moment or two before creeping forward.

Instead of facing an immediate vista of either terrible destruction or miraculous recovery, such as I had often envisioned, I found myself staring at the rather ordinary, and completely intact, entranceway to the bunker. This consisted of concrete steps, inclined at a steep angle, leading from the portal toward a rectangle of artificial luminescence at the top. The unnatural light glittered off a whitewash of frost coating the narrow staircase's stone walls, which did little to alleviate the oppressive feel of the confined space.

Trepidation and curiosity mingled as I remained at my sanctuary's threshold. The air, albeit refreshing, chilled my lungs as I drew in several slow breaths. After several months of enduring my own recycled exhalations it was intoxicating to breathe without tasting my own stale odours. The surface-level air filters had gone off-line at the same time as the security cameras. I assumed that looters had attempted to breach the system and it shut itself down in order to avoid contamination of the bunker.

There had been no sounds, other than the wind, in the few minutes I had been outside. This lack of noise should have emboldened me to mount the stairs, but its absence was far more terrifying. However, my stomach's primitive urgings overrode any fear and I began my ascent.

As I reached the lip of the entrance, I paused and took another icy gulp of air. From this vantage point I could now make out the source of the illumination: a grinning giant, nearly twenty stories tall, hung several thousand feet over my head. Her mouth was open, revealing brilliant white teeth, and her eyes sparkled with imitation pleasure.

"Damned ad," I muttered. Then I gave a short, humourless laugh. The ads were amaranthine. They would probably even outlast the cockroaches.

"Get it over with," I ordered, bounding up the few remaining steps with my pistol leading the way.

Once more I was struck by a strange sense of disappointment at the lack of drama surrounding me. The old colonial style house, apart from a few cracked windows and a back door off its hinges, appeared to be almost as I'd left it. Even the scrubby brown grass and the dead bushes-the ones I kept meaning to replace-looked the same peeking through the snow.

Off in the distance, I could see neighbouring homes. These were often quaintly referred to as 'hobby farms' by real estate agents even though few of the neighbours ever attempted to do more than grow tiny gardens; the lack of fresh water making more ambitious projects impractical. A couple of the homes had been torched or accidentally set ablaze. Their burnt-out shells stood as silent markers to a past which would likely never return.

A fresh gust of wind encouraged me to stop further sight-seeing and get down to more important business.

The next hour was spent in a frustrating search through my house for anything that might be of use. Apart from a spare battery pack for my thermal suit and old bicycle, I found nothing of value; the looters had been most thorough in my absence.

* * *

Leaving my home and cycling part way-before a puncture curtailed that mode of transport-I reluctantly headed for the city in search of tinned food, more batteries, and additional weaponry.

As I neared my destination the signs of devastation became more obvious. Suburban estates, once the epitome of so many dreams, had become war zones. Bullet holes riddled many of the few homes still left standing. Lawns that had been meticulously landscaped and pampered, even during the water shortages, were torn up by countless tire tracks. One track led to the wreck of a mini-van which had slammed into the bay window of a house. The remains of an arm, picked clean by scavengers, hung limply from the driver's side window. It was clear that there had been a pitched battle between homeowners and looters. From the look of things, neither side won.

I continued past the vacant properties and soon entered the city proper. It was a sight that was both startling and awe-inspiring. One could quibble at my choice of words in speaking of such a catastrophic event. Yet, if I am to be honest, there is something about the sheer power needed to destroy a city which demands respect. It's as though God made one of His rare visitations in order to smite the Earth.

The idea of God delivering the final blow did not seem too fantastic as I stared at the ruins. The never-ending, false daylight illuminated the city in a strange, eerie glow. Crumbling buildings, charred and fissured, looked unreal in the unchanging luminosity. Rubble, comprised of masonry, glass and twisted metal, filled the streets and blocked off a number of possible paths into the downtown corridor. Each blast of icy wind threatened to send another decrepit building crashing earthward.

I picked my way through the debris, careful not to tear my heated parka on the shards of metal and glass. From underfoot came the crunching of fresh snow and the occasional stomach-churning sound of bones snapping. No matter how hard I tried, the sheer volume of skeletal remains meant that my arctic boots could not avoid them all. I imagined that a riot or mass catastrophe had claimed many lives at once. The only thing that made it remotely bearable was the fact that the bone fragments were, for the most part, unidentifiable. As long as there remained a possibility of the bones being those of a rat, cat or dog, I could continue onwards.

Finally, after many hours of trudging through the dead city, I reached the faculty building where I had taught Social Science. The ruined structure looked as though it had been the recipient of a massive shelling. Large sections of the outer walls were missing; exposing the charred innards.

I stared at the building for a moment, then, with a weary grunt, sat down on the curb.
"It's really over," I whispered. Confronted by the destruction of something that had been a part of my life for nearly two decades, the awful truth became clear.

* * *

I knew things were getting pretty bad when a gaggle of leading scientists, their brains tied in knots by promises of research grants, stepped forward to blame migrating Monarch butterflies for the Earth's colder temperatures. These wise men and women appeared on the network news, cable news and community access channels to espouse this theory as well as to debunk any others. Newspapers, e-zines, and cyber-mags carried watered down versions, written in layman's terms, to explain how the winged insects wrought havoc upon the environment.

"Of course," the scientists proclaimed, "we are simply using the Monarch as one example. There are many other migrating animals, birds for example, who contribute to the overall effect."

A snappy name, 'Migration Eclipse,' became the term applied to this phenomena. Oddly enough, the band of geniuses failed to note the acronym for their wonderful scapegoat: ME. Maybe, in some subconscious manner, they were accepting responsibility after all.

"In the last century," they explained, as though reading from the same script, "bovine flatulence caused the Earth's temperature to rise. We called it the 'Greenhouse Effect.' The 'Greenhouse Effect' and the 'Migration Eclipse' are cyclical in nature; they come and they go."

Often, with increasing frequency, the media called upon these scientists to explain various phenomena. It usually coincided with a catastrophe of some sort; a loss of human life or the extinction of yet another species. Armed with colorful illustrations showing beautiful Monarch butterflies blocking out the Sun's rays the scientists revealed to the eager public how the 'orange and black demons' brought forth terrible destruction.

Occasionally, a lone dissenting voice tried to argue with them.

"Animals have been migrating for years," the voice of reason would state. "Shouldn't this climate change have occurred earlier? Isn't it strange that it's only happening now? Don't you think the Holo-Ads are responsible?"

To which the scientists responded, "The reason it is happening now is due to the fact that we have eradicated the 'Greenhouse Effect.' Thanks to our efforts, and those of the major corporations, greenhouse emissions are a thing of the past. Genetically engineered grasses have eliminated the destructive methane clouds which used to come from cattle. Cows no longer flatulate."

"Yes, but what about the factories and the cars?" the challenger asked.

"Hogwash! Compared to the output from a herd of cattle, humans account for such a minuscule amount. Besides, most cars are now clean burning." The scientists always chose this moment to smile proudly.

"Except in the underdeveloped regions of the world," came the retort.

"True. Yet another reason why the corporations need to operate in these unfortunate countries. Only then can we hope to raise their standard of living to the point where everyone can drive non-polluting cars."

This was the point where the anchorperson jumped in to advise both parties that time had run out.

"Thank you for coming, it was most informative," the anchor enthused. "Unfortunately, we have to go to our next story. It seems that Pop Diva, Taylene, is not the innocent she'd like us to think she is. We have an exclusive interview with a man who filmed Taylene actually smoking a nicotine-filled cigarette."

From the comfort of my living room, I used to watch and snort with proud superiority as each sycophant spewed their toxic lies.

Expecting the news agencies, in any format, to run a story containing the truth about Holo-Ads was like waiting for a politician to answer a yes or no question with a simple yes or no.

Considering that the news agencies were all owned by the major corporations and the major corporations were the ones who paid exorbitant fees for the airspace and equipment to run Holo-Ads, it was not in their interest to run negative reports on their parent company's main source of advertising.

Holo-Ads were huge in every sense of the word. There were even rumours about the first Holo-Movie to be sponsored by the Whimperbang Group of companies; it would have had its North American debut last year. According to the hype, it would've been large enough to cover the sky for nearly three hundred miles. Whether or not such an immense canvas would be a practical viewing format was beside the point.

There was little doubt, in my mind, about there being egregious use of Whimperbang products throughout the movie.

How they negotiated the rights to use space already leased by other corporations was a question likely answered with obscene amounts of cash.

Money solved everything. At least that's what we were always told to believe.

Looking at the sky back then, covered in gigantic ads created by powerful Holo-Casts, it made sense to believe in the power of money. Evidence of wealth loomed overhead everywhere. Giants smiled down and urged us to buy whitening pills for our teeth. Enormous dogs and cats shamed us into buying healthier pet-food, while robotic animals towered over the skyline offering unconditional love. Fast cars sped across the horizon making us feel impotent without one. Beautiful models promised their bodies to those who bought the right brand of two-ply toilet paper.

No matter where you looked, the Holo-Ads floated in the air. Only in the sparsely populated regions of the Earth could you escape the omnipresent three-dimensional projections. I suspect the lack of potential revenue dictated this decision rather than any perception that the corporations had already gone too far.

With the sky constantly blocked by the Holo-Ads, something had to happen.

It did.

At first it was the astronomers who complained about the light pollution. To soothe them, the corporations sent aloft a pair of orbiting telescopes to which the astronomers were given access in exchange for endorsements. Antarctica was made into a Holo-Ad free zone. The corporations also struck deals with the International Space Agency to help defray the costs of space exploration. At the same time, because of their generosity, a host of orbital Holo-Casts were sent up with the telescopes. Although some astronomers continued to gripe, the public quickly lost interest in their plight.

Then airlines became leery of the technology. Later generations of the Holo-Cast units produced images of near perfect solidity. This worried the pilots who, even though the planes basically flew themselves, wanted to be able to see out of the cockpit window and not be confronted by inanely grinning behemoths. Being unable to see familiar landmarks scared the pilots who did not always trust in the infallibility of the Nav-Comps. They demanded to have the Holo-Ads restricted to non-flight paths otherwise they would go on strike.

The corporations were aghast. Such a limitation to their advertising space would render most of the sky out of bounds.

Rather than give in to the pilot's demands, the wily executives resolved the dilemma by demonstrating how AI controlled planes proved to be safer than ones flown by humans. In the end, the pilots immediately admitted to being hasty and quietly resumed their seats. Only the psychological need of passengers to have a human in the cockpit saved their jobs.

Many groups formed based on aesthetic platforms to fight the Holo-Ads. They claimed that Holo-Ads besmirched the heavens and, therefore, ought to be outlawed. These groups contained many famous actors and singers as well as lesser-known writers, painters, sculptors and performance artists. For years they lobbied for stricter regulations but always failed. They could not fight the endless bankroll of their enemy. Nor could they defeat the general public's love of Holo-Ads. They failed to take into account the determination of the lowest common denominator to be entertained.

Naturally, the environmentalists spoke up. Their frightening predictions about the future terrified the masses-for a few days. Unfortunately, when nothing immediate happened, no cataclysm occurred, the environmentalist message became a target of derision. That was when the corporate-funded scientists marched out and trampled their 'Chicken Little' colleagues.

Well, the sky did fall. In a manner of speaking, that is.

The environmentalists were right, as anyone whose head was not encased by gluteal muscles would know.

Unfortunately, it was too late. Even my own students failed to see the danger despite the fact that I often tried desperately to explain it to them.

"Remember the theories about the dinosaurs?" I used to ask during my lectures. "The asteroid that hit the Earth and sent a blanket of dust into the atmosphere?"

The students nodded; it was an established theory. They'd seen it on the Education Channel in all its computer generated glory.

"The Sun could not shine through the murk. The Earth cooled, plants died, and the dinosaurs became extinct." So far so good, I'd think. My audiences could always follow this line of reasoning. In fact, the students became most interested in my discourse whenever I spoke of prehistoric beasts; dinosaurs have a magical appeal which makes people want to listen.

"Well, we've created a technological quilt, a patchwork of images so dense that the sun cannot get through." Eyes glazed over at this point. Placing the responsibility for mass destruction on a chunk of iron-nickel from outer space was more palatable than accepting even a hint of blame for one's own actions.

"The scientists said it's Monarch migration," a drone would shout.

Damned Monarchs! They were like the dinosaurs in terms of their mass appeal. A strange idea involving animals attracts and holds the attention of otherwise blasé listeners.

"We'd notice if something were wrong," some of the students argued. "It would be all over the media."

"Let me give you a concrete example of the falsehood in that statement," I told them. "When the Earth was threatened by greenhouse emissions there were many who claimed it wasn't happening. They demanded proof. Droughts and brush fires were on the increase. That wasn't considered proof. Grain had to be shipped to places like Alberta in order to keep cattle alive through long, dry summers. That wasn't proof. Even when the Albertan farmers slaughtered their horses by the thousands because there wasn't enough food to feed them through the winter no one considered that to be proof. Environmentalists insisted that this proved their point. However, the Albertan government, rich on oil revenue, fought the environmentalists with millions of dollars in scare-mongering advertisements. They claimed that any change to the status quo would impact the economy in extremely negative ways. The threat to jobs became more ominous than a loss of the wheat fields.

"So please do not tell me about Mankind's ability to see and react accordingly to a danger. We're talking about a species that has destroyed life-giving rain forests, damaged the protective atmosphere of the planet and committed the most heinous acts of violence upon its own members without consideration to the future.

"Yes, people should see what is happening. As a matter-of-fact, I think they do see it. They fail, however, to take the next logical step and see why it's happening. It would require changing their way of life."

At this stage, surrounded by zombies, I would stop my tirade and search for some trace of understanding. Every now and then, like finding three correct numbers on a state lottery ticket, a couple of faces met mine with the same anger I felt. Enough people to give me the desire to carry on. Sadly, not enough to make a difference.

"How many of you have molar-phones?" I always asked.

About twenty percent of the class raised their hands.

"Even though studies indicate that molar-phone users have an increased likelihood of developing mouth, throat and brain cancers you still see more and more people getting the implants.

"Mankind has become too complacent and too expectant. We expect to have whatever we want, when we want it."

"Excuse me, Professor," I recalled one of the female students saying. Her earnest expression made me hope that I might have won a convert.

"Yes?" I asked.

"I wish you would refrain from using the term, 'Mankind,'" she said. "It's a sexist, outmoded term."

That, in a nutshell, was the problem. Major issues were swamped by minor ones. Why concern ourselves with the impending death of our planet when we can eradicate offensive language?

Despite the facts, despite the obvious evidence of our eyes, despite the signs, we continued blithely along in the comfortable, anaesthetized state known as 'trust.' We trusted that the people we put into power could not possibly place our lives in jeopardy.
We ignored centuries of history that proved the fallacy behind such faith.

There were a few with the insight to realize what we faced-a scant few-not enough to prevent what happened.

The orbital Holo-Casts sped up the process faster than any of us expected. The Amazon rain forest, when it died, caused the greatest damage. Carbon dioxide levels rose at a staggering rate but, without sunlight, the Greenhouse Effect did not occur. Instead it got colder as we watched the oxygen levels deplete. The blame could not be placed solely on the corporations. They received their power from the masses. Only by the general public's tacit approval could the disaster have occurred.

That was over a year ago.

I went underground as soon as the first riots began, hiding in a bomb shelter until most of my fellow people slaughtered each other in their initial panic.

* * *

I've been in the city for a week and haven't spoken to a single person. Occasionally there is a glimpse of movement but whoever, or whatever, it is scurries off before I can get a closer look. Perhaps, I tell myself, they are too ashamed to show their faces. The destruction of a world is, after all, a heavy burden.

I search the wasted city by the light of a twenty-story advertisement for breath mints. The orbital casters are still functioning perfectly even though there is no one to change the ads; the corporation HQ's were all burned down when people finally saw what was happening. CEOs were rounded up and massacred, their empires smashed.

It's damned cold. I forget the last time I found any wood to burn. Most of the buildings have already been looted although there is still the occasional surprise. Last week, I discovered a used bookstore that had escaped detection. The shelves were crammed with hardcover and paperback formats of this antiquated mode of communication. At first I wandered the aisles looking at the spines, smiling sadly at familiar names.

Then, night fell and the temperature dropped. My thermal suit battery was dead and I had yet to find a replacement. There was no other option available to me.

I regret burning the books. It took nearly a week to exhaust the supply, and I tried to read as many as I could before consigning them to the pyre. With each new sacrifice I felt like I was destroying the final remnants of humanity. As the pages blackened and curled, I wept for the loss.

When the books were all gone, I wandered the streets once more, searching for more fuel.

That's how I came across this bank. An explosion has torn a tremendous hole in the wall. There are a couple of bodies lying near the hole. It's crazy, but I think they were trying to blast their way into the vault. What did they expect to do with the money? They can take some consolation in the fact that the hole did penetrate the vault. Bills litter the floor. There must be close to a million dollars here.

I shiver and watch my breath dissipate. It feels colder in the vault than outside. My hand reaches into my ski-pants pocket and touches a book of matches. I look at the piles of money, kicking a small mound together with my feet.

Money may not solve everything, I decide. But it will keep me warm for a night.

 

Back to Top

 

Contests 

Isn't it romantic? The love just keeps on coming, whether I like it or not. 

While I might not be up on love these days, that doesn't mean we all can't write about it.

 

MarriageRomance.com Writing Contests - There are 17 categories worth a total $3,400 in prize money. You must be a member to enter (membership is free). One entry per person.

 

Deadline: None, but limited to 30 entrants per category
Length: At least two pages (nothing more specific)

Entry Fee: None

Prize: $200 in each category

Colorado Gold Writing Contest - "For Unpublished Authors of commercial novel-length fiction." Four categories: general fiction, mystery, romance, and science fiction/fantasy. Limited to the first 200 entries received.

 

Deadline: Possibly June 1, 2005 (current year's guidelines will be posted in the Spring)
Length: Up to 20 novel pages and up to eight synopsis pages (all double spaced)

Entry Fee: $25 per entry
Prizes: First prize $100 + framed certificate; all other finalists receive $25 + framed certificate.

An Evening to Remember Sweepstakes - Hosted by eHarlequin.com, this contest requires no writing on your part. Just fill out the entry form and cross your fingers.

 

Deadline: February 28, 2005
Prizes: Ten Grand Prizes - Winners will have the choice of a one-year subscription (four books per month) to any one of the following Harlequin Passion series: Harlequin Blaze (retail value: $228) or Silhouette Desire (retail value: $216) or Harlequin Presents (retail value: $216). Plus, winners will also receive Harlequin's special 52 Weeks of Romance booklet (retail value: $15.95), an Avon gift basket containing Avon beauty products (retail value: $100), a FTD gift certificate (retail value: $60), a Best Western Travel Card (retail value: $50), a 1 week trial membership at Curves gym (retail value: $10).

 

What's it all worth? Check out The Universal Currency Converter.

Back to Top

 

Literary Lapse

 

Literary Lapse is a prompt-based mailing list. Members receive weekly writing prompts and are encouraged to share their work with the rest of the list and give each other feedback.

Once a month, I select my favourite story, essay or poem for publication and pay the winner $5 (US funds).

 

The Prompt

You're trapped by a blizzard. With whom? For how long? Is getting out a matter of life and death? Are you better off staying where you are? Or is it a case of choosing the lesser of two evils?

The Winner

Congratulations to three-time winner Linda Hamilton for her sci-fi tale "Hail Storm."

Hail Storm
by Linda Hamilton

Berria studied the twilight effects of Natari's two suns on the heavens. The encroaching white haze worried her. She turned and smiled at Char's lumbering approach. His gait never failed to remind her of baby zaks jousting in the new season.

"I wish you and T'hal would change your minds and leave for Accune at the suns' next raising. The colours say a storm is coming."

He stood beside his mother, gauging the fading sky. "That's not possible. The people of Valaire habitat are counting on me to fix their hydration system." His voice chided gently. "I've flown the route many times."

She sighed and pushed back the stray hair from his angular features. "Never in a storm, Char. The horizon rides a white wave." Berria put on a brave face when T'hal came around the family's dwelling.

"I've got everything packed and the rover's powered up."

Char hugged his mother's slender frame. "You're an obsessive worrier. We'll be fine." He slapped T'hal on the back. "Owe me an Accunian drat from Balfor's Tavern."

The rover hovered over the mesa. Storms in the Natari system were infrequent and came without warning, but somehow his mother always seemed to sense them. For a split-second, he reconsidered.

"You forget how to fly?" T'hal threw a nutrition bar. "Punch it. The Valaires only have a three-day water supply and it's going to take two to get there. I want them in a good mood when we arrive."

Char shook off his apprehension. "Not going to get you any closer to the foreman's daughter." He thrust the craft into light drive, laughing at T'hal's blushed cheeks.

Berria watched the suns' kaleidoscope swirl in fear before the advancing haze and distance swallowed the tiny ship. Her soul shivered. 

* * * 

Clear of the lower atmosphere, he levelled off and programmed the course computer. "Would you take first shift? I want to finish the engineering maintenance." Char tapped the panel. "Auto's on."

"Give me a chance to tune in the music of Altina's Moon Siren on subspace."

Char grimaced. "Don't see how you stand that frazzle. Just keep your eyes out for storm signs. Mom had a premonition."

T'hal gestured affirmative, placed his feet on the control panel and leaned back. The searing notes of Que Sa Ya's interpretation of spatial mysticism filled the cabin. He closed his eyes. His feet, swaying in time to the subtle tones, inched closer to the autopilot switch.

* * * 

The pounding racket of contact with the ship's outer hull startled Char. The rover bucked and pitched. He struggled toward the pilot area.

"T'hal!"

"What? Help me stabilize the controls," he croaked.

The blizzard visible through the window galvanized Char. He strapped himself in. "How did we get in the middle of an ice shower?"

T'hal growled, "I fell asleep." He gestured toward the flight panel's mid-section. "More news. We're off course. Guess I bumped the autopilot."

They breathed a sigh of relief when the craft emerged into the storm's eye. Char scowled at the scrambled screen. "Well, the navigation beacon's useless. The signal is bouncing around worse than a quantum leaper."

"Frit," T'hal swore.

"Do you remember our last position?"

"About ten sectors from Altina. Why?"

"I might be able to estimate where we are. Need to figure out how long you were snoring."

"Ha, ha." T'hal rubbed his chin. "Siren was into her third of six arias and each song lasts eight millaparcs." His finger wrote calculations in the air. "Twenty-four and a half millaparcs."

Char typed variables into the course computer and frowned at the display. "Well, if we drifted right, there's a chance we'll pop out in the Crab Nebula. If we drifted left, we'll come out on the Belsaur Plains. Twelve parcs behind schedule."

"Wonderful," T'hal whined.

"Your choice. You got us here. Stay and freeze when the fuel runs out, implode from Nebula's gravity, or hope for the Plains."

T'hal bowed his head and prayed to every deity he could think of. "Set the course."

Char nodded and increased thrusters. The rover bumped and rolled through the storm's fury. Faces grim, they braced themselves against the violence. 

 * * *

"Valaire, this is Natari Rover Two. Request permission to land."

"Rover Two, you are cleared to land on pod alpha."

Char glanced at his partner as the hatch lowered. "You not only owe me an Accunian drat, but a hot mineral shower for saving your hide...again."

"You're not going to let me live this down, are you?"

They noticed the foreman waiting for them at the habitat's entrance.

T'hal whistled. "He doesn't look happy."

The foreman glared at the duo. "Seven parcs into the third day is cutting it a might fine. There are just 200 units of water left in the tank." He folded his arms over his chest. "I expected you last night. Where were you?"

Char stared expectantly at his friend.

T'hal shrugged and a sheepish grin decorated his boyish face. "I better get at that hydration pump." He dashed into the settlement.

The foreman's gaze settled on Char.

Char cleared his throat. "Let's discuss it over a drat..."

 

Back to Top

Bragging Rights

 

This is the space where subscribers get to do a little bragging about their own writing successes. Don't be shy. We want to hear from you.

 

Brenda M. Weber received word on New Year's Day that her book I Promise Not to Tell was chosen as the 1st Runner-up for the 2005 Book of the Year Awards by JADA Press.

Brenda submitted her book back in September and pretty much forgot about it, so she was completely surprised to get the call.

Brenda will receive a JADA trophy, a release to two newspapers of her choice, extensive Internet coverage, and Award Winning Labels for her book.

 

Received word [on January 20th] that my short story "People vs. Albert Tillings" will appear in an upcoming issue of The Sink sometime this year. The exact issue is unknown at the moment. The Sink is a literary journal published in print and online four times a year.

Thanks,
Linda Hamilton

 

 

 

My flash fiction story "On the Edge" has been published online at Rebel Dawn Creative Forces.

Michael Weir

FundsforWriters and Hope Clark just released not one but THREE e-books for writers. In true FundsforWriters tradition, she created e-books chocked full of paying opportunities. And they are unique in that they address the type of writer instead of simply listing freelance markets.

 

Funds for the Fiction Writer - 102 pages of 317 listings 
Funds for the Essayist- 90 pages of 246 listings 
Publishers for Poets - 100 pages of 309 listings

Available at www.fundsforwriters.com at $7.95 each.

 

 

Dotsie Bregel, founder of Boomer Women Speak, has just launched a Boomer Books page on her site. She's promoting books written by baby boomers. Please visit her and browse the site. Fill out the form on the Boomer Books page if you would like your book considered for inclusion.

I am happy to share the news of my first book signing. Changing Hands Bookstore in Tempe, Arizona, is hosting a book signing from 2-3 p.m., April 30, 2005. A Cup of Comfort for Mothers & Sons arrives in stores the first week of April--just in time for Mother's Day. My story "Like A Rock" appears in this anthology, and I've been asked to appear at Changing Hands because I am a local author and contributor.

The press release and information to order the book is available on my personal website.

Penny J. Leisch 

 

Here's my big news-- I've released an e-book! Knock Their Socks Off! A Freelance Writer's Guide to Query Letters That Sell is getting rave reviews from both readers and reviewers.

Have a great day!

Mridu Khullar 
Editor-in-Chief, WritersCrossing.com

 

Back to Top

 

Book Review 

 

WILL RETURN NEXT MONTH

 

Back to Top

Online Resources 

Whether you've already earned your feathered boa or you're only dreaming up that first great love story, consider joining with like minded writers in one of these organizations.

 

Canadian Romance Authors' Network - CRAN is "a collective of Canadian authors, all published in the romance genre, joined together to promote romance to readers, booksellers, librarians and the media." Membership information available by e-mail request.

Romance Writers of America - RWA is "the professional association for 9,000 published and aspiring romance writers. Members of RWA write the novels that make up 55% of all popular paperback fiction and that generate more than $1 billion in sales each year." Three membership levels: General, Associate, and Affiliate. Annual fee.

Romantic Novelists' Association - RNA is based in the United Kingdom and "works to enhance and promote the various types of romantic and historical fiction, to encourage good writing in all its many varieties, to learn more about our craft, and help readers enjoy it." Three membership level: Full, Associate, and Probationary. Annual fee.

 

Back to Top

 

Letters to the Editor

 

This is your chance to provide feedback on the newsletter. Tell us what you did and didn't like. Make suggestions for future issues. 

We want to hear from you.

 

InkSpotter News

250 subscribers

in

Australia
Canada

Finland

France

India

South Africa

United Kingdom

United States

I loved your editorial, Betty--and the goals you set inspired me to set a few of my own. Thanks for all you do and many good wishes for 2005.

Wendy Whittingham-Favaro
CritiqueElite

  

What did you think of this month's issue?

 

Back to Top

 

        

Send questions or comments about this Web site.
Copyright © 2003-2010
InkSpotter Publishing
Finding the Right Words
Last modified:
03 Feb 2010

Hit Counter visitors since December 6, 2006